I approach art as a designed experience that moves across disciplines, bringing together function, aesthetics, and narrative. At the core of my practice lie play, memory, and the desire to touch. For me, production is a field of play—both with the material and with the viewer. Whether it is a stage set I construct or an embroidery I stitch, my aim is to spark curiosity and a sense of discovery.

In stage design, I imagine the set as a giant toy within which the play unfolds. My choices of color, material, and form are intended not only to support the story, but to create a playground for the performer and a terrain of exploration for the audience. The space ceases to be merely a backdrop and becomes a co-actor that deepens the narrative.

In my embroidery works, I explore the relationship between thread and different surfaces, focusing on making every stage—from material selection to the performative act of production—part of the narrative. I use embroidery as a method of recording thought and emotion. Each stitch becomes a trace; each pattern forms an invisible bond of “now” that connects past and present.